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Inhalt:
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In this paper, we show how the intersection of chains of multimodal cohesive ties with choices of relations among sequences of filmic units provides a strong foundation for constructing filmic narrative. Until now bridging the gap between narrative concerns and fine-grained analysis of complex multimodal artefacts such as films has been difficult: fine-grained analyses tend to lose themselves in the wealth of detail revealed and high-level narrative analyses are often pulled towards subjective interpretations. Our definition and use of the constructs of multimodal filmic cohesion and of logical sequential filmic relations establishes functional analytic categories anchored both below, in the fine-grained detail of film, and above, in the range of interpretations that they delimit. We propose this as one way in which we can move towards a more empirically-grounded notion of transmedial narration.
Narrative Revisited -- Editorial page -- Title page -- LCC data -- Table of contents -- Acknowledgments -- Introduction. Narrative revisited -- 1. Introduction -- 2. Scoping narrative -- 3. Looking back - previous linguistic research -- 4. On modes and media -- 5. The advent of new media communication -- 6. Short preview of papers -- References -- Contextual constraints in CMC narrative -- 1. Introduction -- 1.1 Premise -- 1.2 Some questions about CMC and narrative -- 2. Context and CMC -- 2.1 CMC, a 'fluid world' -- 2.2 Contextual features in CMC -- 2.3 The blog as a flexible form of communication -- 3. Narrative and CMC -- 3.1 Simple/complex, familiar/new, and other elements of narrative -- 3.2 Talking to be together -- 4. An open conclusion -- References -- The role of electronics in the perception of everyday narratives -- 1. Introduction -- 2. Some frame conditions -- 3. Natural vs. CM viewing. A case study -- 3.1 What one naturally perceives. Two reports -- 3.2 Through the magnifying glass. On CM perception -- 3.2.2 Challenges and how to cope with them. Some illustrations -- 4. Living apart together -- References -- "Audacious, brilliant!! What a strike!" -- 1. Introduction -- 2. Live text commentaries: Image and text -- 3. Unscripted spoken sports commentary -- 4. The language of live text commentaries -- 5. Narrative structure -- 6. Conclusion -- Sources for figures -- References -- Once upon a blog ... Storytelling in weblogs -- 1. Introduction -- 2. Defining weblogs -- 3. Weblog genres -- 4. Narrative genres in weblogs -- 5. How new media principles impose on weblog narration -- 5.1 Multi-Linearity -- 5.2 Fragmentation -- 5.3 Interactivity -- 5.4 Multimodality -- 6. Labov and Waletzky's narrative analysis -- 6.1 Abstract -- 6.2 Orientation -- 6.3 Complicating action -- 6.4 Resolution -- 6.5 Coda -- 6.6 Evaluation.
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| 17.63 (Textlinguistik) 
